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The Whole Picture                                                                        Early Summer :: June 2005 

 


 


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                       June 2005 ::  Early Summer Issue :: Volume 2 Issue 9

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Contents Page 17 Next Page

W

hen I took my, then 8 month old, son with me to an art exhibit at the Baltimore Museum of Art, Faith Ringgold’s Dancing at the Louvre, the first story quilt in her The French Collection, became clearer to me. As we entered into the special exhibit space, the silence was too deafening for my son. He knew that screaming and shouting with joy would fix that problem. His small, happy voice became increasingly louder as it echoed through the halls in stark contrast to the silent viewers of the still pieces in the art museum.

This is how I began my seminar paper for one of my last graduate courses. I began with my son. My work and my son wouldn’t stay separated from one another. All things seemed to come back to him. The transition from being purely a graduate student to a mother-graduate student was more challenging than I would have ever realized, especially because I was in school part-time and at home the majority of the time. The first semester back to school, Elijah was one month old and I was teaching one class and taking one class and nursing once or twice a night and working while Elijah took his three naps of varying lengths during the day or during whatever snatches of time I could smuggle at night or on the weekend. He wasn’t in daycare yet; my husband adjusted his work schedule while I taught twice a week in the morning and a family member watched him once a week while I was in class.

The paper in which Elijah inserted his presence was an examination of visual artist Faith Ringgold’s The French Collection. One of her personal challenges, which she paints and writes about on her story-quilts, is how to be a mother and an artist at the same time. Of course, this isn’t a new challenge; women have always tried to discover the best way to handle this balancing act. It’s just that Ringgold painted this challenge on a mural sized un-stretched piece of canvas, and then wrote a story around the visual scene and made the challenge into art. I thought it was beautiful. Later, I realized it was me who I saw in those story-quilts.

I’ve been trying to figure out how to be the best mother, or the mother I want to be, and complete my PhD and find a career (either in academia or not) that I love that will let me the mother I want to be.

My challenges while working on this degree were remembering everything and getting everything done. I would often forget something for my students, and once I just apologized and blamed lack of sleep for my incompetence; they were annoyed, I quickly forgave myself and got over it. I decided to just finish the semester; I assigned less homework—homework they didn’t want to do and I didn’t want to grade and dedicated more time to writing their papers, in-class revisions and questions. And we got it done.


For the class I was taking, I didn’t get all of the reading done. I made sure I read and understood enough to be a part of the conversation. I started on my final paper very early because I knew that working on it for 2-3 days straight wasn’t an option. I could only depend on a little time here and there to get it done. Needless to say, I did very well in my class.

The most important thing was being home with my son. I got through those moments when I couldn’t get him to sleep or couldn’t get him to stop crying or when I thought he was breastfeeding every 30 minutes. I was glad that I had been home with Elijah, making sure he wasn’t bitten by a 16 month old at daycare for those first few months or made to sit in a swing, bouncy chair or his carrier for hours on end. I was able to hold him, sing to him, read to him, and stare at him at any given moment. I had been able to fulfill my personal goal of staying home with my child the first year of his life.

What made it wonderful and challenging (for both semesters I was mainly at home) was being able to have so much time with my son and still have this other outlet, this other self.

Now, at fourteen months and with the first year over, Elijah is in daycare fulltime (another adjustment we are both making). And though I feel guilty more often than I’d like to, I know that finishing my PhD will give me more flexibility, more control over my time in the long run as Elijah continues to grow and as we add to our family. I was studying the other day in a coffee shop and started to tear up when I saw a mom with her two really young kids enjoying coffee with a friend. The little boy caught my eye, and we flirted (smiled and waved); I immediately missed my own son’s smile and laugh. Then the kids started going wild and the mom was no longer enjoying her coffee and with frustration threw up her arms and said let’s go. All of a sudden I was glad that I had the time and space to complete my own work.

The best time of the day is picking up my son from daycare and having him reach for me (I still hate dropping him off). And I cherish his smile, laugh, cuddling and love so much everyday. Although, sometimes it’s just about getting something done (grading, reading, writing); it’s the whole picture, the challenge, the balancing act -- doing my work and actively loving my son-- that is beautiful.


Yvette Green Pittman is a PhD student in the English Department at the University of Maryland College Park. Her specialization is in 20th Century African American literature with a focus on visual culture in literature. Yvette has a fourteen month old son, Elijah, and a wonderful husband who does all of the cooking.




 

 

 

June Issue
2005

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